- You Can See Everything release: The documentary opens in United States theaters on October 16, 2026.
- Premiere: The film debuted as a secret screening at Telluride on September 6, 2026.
- Directors: Nathan Fielder and Lance Oppenheim share directing and producing credits.
- Subject: The documentary follows Elizabeth Holmes and Billy Evans during a major transition.
- Format: Expect a 174-minute English-language documentary distributed by A24.
You Can See Everything Release Date and Theatrical Plans
You Can See Everything is a 2026 American documentary film from A24. Its public release plan begins with a United States theatrical opening on October 16, 2026, following a surprise premiere at the 53rd Telluride Film Festival on September 6, 2026.
The Telluride presentation was kept secret until the screening began. Attendees surrendered their mobile devices, helping protect the film’s reveal and preserve the first audience experience. For viewers planning to see the documentary in theaters, the October opening is the key date to watch.
Video Highlights:
- The official teaser introduces the film’s unusual conversational tone.
- Nathan Fielder appears to engage directly with the documentary’s central subject.
- The footage emphasizes uncertainty, performance, and competing interpretations.
- A24 presents the project as a theatrical documentary rather than a conventional news recap.
| Release milestone | Date in 2026 | What it means |
|---|---|---|
| Telluride secret screening | September 6, 2026 | First public festival presentation |
| Teaser announcement | September 6, 2026 | A24 revealed the project and theatrical plan |
| United States theatrical release | October 16, 2026 | Main announced cinema opening |
| Runtime | 174 minutes | A feature-length documentary experience |
Because the film runs for 174 minutes, check showtime listings carefully and allow extra time for a long-form theatrical viewing.
Story, Subject, and Documentary Approach
The film follows Elizabeth Holmes, founder of the defunct health technology company Theranos, and her partner Billy Evans. The filmmakers begin documenting the couple shortly before Holmes starts serving a federal prison sentence for defrauding investors.
Rather than presenting only a retrospective account, the documentary observes Holmes and Evans as they invite the crew into their home. The filmmakers continue following them over a period of three years, creating a structure built around daily life, personal conversations, and the tension surrounding an approaching sentence.
The project’s central question is not limited to what happened at Theranos. It also examines how people understand the same environment differently. Nathan Fielder described the crew’s conflicting interpretations of events inside the house as an important reason to continue filming. That approach gives the documentary a deliberately unsettled point of view.
Personal Access
The crew receives unusually close access to Holmes, Evans, their children, and their home during a significant period.
Observed Reality
The documentary focuses on interactions and behavior rather than relying only on interviews or archival explanation.
Ambiguous Tone
Conversations blur the boundary between sincerity, performance, deception, and interpretation.
| Story element | Documentary focus | Viewer expectation |
|---|---|---|
| Elizabeth Holmes | Her life before and during the transition to prison | A personal perspective beyond earlier media coverage |
| Billy Evans | His relationship with Holmes and role within the household | Domestic context and changing circumstances |
| Film crew | Direct interaction with the people being filmed | A more visible, participatory filmmaking style |
| Three-year follow-up | Life after the initial period before imprisonment | A broader timeline than a single event report |
The documentary concerns fraud convictions, imprisonment, family life, and public controversy. Viewers looking for a conventional business-history film should expect a more personal and observational structure.
Cast, Directors, and Production Credits
You Can See Everything is directed by Nathan Fielder and Lance Oppenheim. The film marks Fielder’s feature directorial debut, while Oppenheim brings his documentary filmmaking perspective to the project.
The principal on-screen participants are Elizabeth Holmes, Nathan Fielder, and Billy Evans. Fielder was initially expected to remain behind the camera, but his unusual interactions with Holmes and Evans became part of the finished film. This decision makes the director an active presence rather than an invisible observer.
The production is associated with A24, To Be Formed, and Blow Out Productions. A24 also distributes the documentary theatrically. David Bolen serves as cinematographer, Adam Locke-Norton handles editing, and Ari Balouzian provides the music.
| Role | Name or company | Contribution |
|---|---|---|
| Directors | Nathan Fielder, Lance Oppenheim | Co-directed the documentary |
| Main subjects | Elizabeth Holmes, Billy Evans | Central figures followed by the film |
| On-camera participant | Nathan Fielder | Interviews and interacts with the subjects |
| Cinematography | David Bolen | Director of photography |
| Editing | Adam Locke-Norton | Edited the feature |
| Music | Ari Balouzian | Original musical contribution |
| Distributor | A24 | United States theatrical distribution |
The most important creative distinction is Fielder’s dual role: he directs the film and appears on camera as part of its central interaction.
How to Approach the Film Before Watching
The documentary works best when approached as an observational film rather than as a straightforward case summary. Audiences already familiar with the Theranos story may recognize the background, but the film’s emphasis is on access, conversation, and the difficulty of interpreting private behavior.
Use the following viewing plan to keep the film’s structure clear:
Review the Basic Premise
Know that the film follows Elizabeth Holmes and Billy Evans around the period before Holmes begins her federal prison sentence. This establishes the personal and legal context without requiring a full recap.
Watch for Point of View
Pay attention to when Fielder asks questions, enters conversations, or becomes part of the scene. His presence affects how the household is observed.
Separate Access from Certainty
Close access does not automatically resolve every question. Compare what people say, what they do, and how the crew reacts.
Track the Time Span
The documentary extends beyond the initial 34-day period before imprisonment and continues across three years. Notice how the longer timeline changes the film’s perspective.
| Viewing focus | Question to consider | Why it matters |
|---|---|---|
| Access | How does the household’s openness shape the film? | Access creates intimacy while raising questions about control |
| Performance | Are conversations spontaneous, strategic, or both? | The film explores the space between reality and presentation |
| Filmmaker presence | How does Fielder change the interaction? | His participation becomes part of the documentary’s subject |
| Time | What changes across the three-year follow-up? | A longer timeline reveals more than a single event could |
The film’s tension comes from uncertainty and interpretation. It is useful to remain attentive to conflicting impressions instead of expecting every moment to deliver a clear verdict.
Reviews, Reception, and What the Release Means
Early critical response was strongly positive after the Telluride premiere. The film held a 100% approval rating from 10 reviews on Rotten Tomatoes and received a 95 out of 100 score on Metacritic based on seven critics, according to the available 2026 figures.
Reviewers highlighted the film’s unusually close access to Holmes and Fielder’s deadpan, on-camera role. Variety described the project as a distinctive blend of reality television, hangout movie, psychodrama, and performance. That description reflects the documentary’s hybrid identity: it is grounded in real people and real circumstances, but it does not follow a conventional explanatory format.
| Reception measure | 2026 figure | Interpretation |
|---|---|---|
| Rotten Tomatoes | 100% from 10 reviews | Strong early approval among listed critics |
| Metacritic | 95/100 from 7 critics | Universal acclaim classification |
| Telluride response | Positive early reviews | Praise focused on access and Fielder’s presence |
| Critical discussion | Hybrid documentary form | Attention on reality, performance, and uncertainty |
For a factual overview of the film’s credits and release information, consult the You Can See Everything reference page on Wikipedia. The official teaser is also available through A24’s YouTube presentation.
Before You Watch:
- Confirm the October 16, 2026 United States theatrical date
- Allow time for the 174-minute runtime
- Understand the documentary follows Holmes and Billy Evans
- Expect Nathan Fielder to appear as an on-camera participant
- Approach the film as an observational documentary, not only a business recap
The strongest reason to follow this release is its unusual combination of public controversy, private access, and a filmmaker who becomes part of the story.
You Can See Everything Release FAQ
Q: When is You Can See Everything released?
You Can See Everything is scheduled for a United States theatrical release on October 16, 2026. It first premiered at the 53rd Telluride Film Festival on September 6, 2026.
Q: What is You Can See Everything about?
The documentary follows Elizabeth Holmes and her partner Billy Evans as filmmakers document their lives before Holmes begins serving a federal prison sentence. The crew continues following the couple over three years.
Q: Who directed the documentary?
Nathan Fielder and Lance Oppenheim directed the film. Fielder also appears on camera after his interactions with Holmes and Evans became an important part of the project.
Q: How long is the film?
The reported runtime is 174 minutes, making it a substantial theatrical documentary experience.
The main release detail is straightforward: the announced United States theatrical date is October 16, 2026, with A24 handling distribution.