You Can See Everything: Theater Guide & Release Status

You Can See Everything is a 2026 documentary about Elizabeth Holmes, the former Silicon Valley founder associated with Theranos. As of September 24, 2026, the available Fandango listing states that the film is not available in theaters or on demand. That status means local showtimes cannot currently be confirmed through the listing, even though the movie has an active title page and promotional materials.

The most reliable approach is to treat the Fandango page as a tracking page rather than a current ticket source. It includes a theater and on-demand toggle, a ZIP code search, a showtime calendar, and an option to receive notifications when tickets become available.

Video Highlights:

• The trailer presents a film crew documenting Holmes before her prison sentence.
• Interviews focus on trust, secrecy, wealth, and the limits of personal access.
• The footage uses an intimate observational tone rather than a conventional crime-thriller presentation.
• The trailer emphasizes uncertainty about what the participants may be hiding.
• A24 identifies the project as an official documentary release.

The listing also shows an NR rating and a reported 100% fresh Tomatometer score. These details may help readers identify the correct title, but they should not be treated as confirmation of a local screening. Theater availability can vary by market, and the listing itself does not provide a confirmed release date in the supplied information.

The film follows a film crew invited into Elizabeth Holmes’s life thirty-four days before she is sent to prison. The setup creates an unusual tension: the crew is close enough to observe private conversations, but the people being filmed may still control what they reveal.

The project is described as a journey lasting three years, beginning as an intimate portrait of an enigmatic public figure and developing into a broader examination of perception, denial, and documentary access. This structure gives the film a different emphasis from a straightforward business biography. Instead of only recounting Theranos’s rise and collapse, it appears to focus on how people behave when they know they are being watched.

Nathan Fielder and Lance Oppenheim are credited as directors. Their collaboration is presented as boundary-pushing and observational, with the film’s central question built around what the crew can see, what remains hidden, and whether intimacy produces genuine understanding.

The trailer’s conversations reinforce this theme. Participants discuss whether Holmes has lied, whether wealth changes relationships, and whether anyone can truly know what another person is concealing. Those exchanges make the film relevant to viewers interested in media ethics, criminal cases, Silicon Valley history, and observational filmmaking.

Because the available listing does not provide a full cast breakdown or confirmed release schedule, avoid treating secondary names, festival appearances, or regional dates as established facts unless they appear on an official update.

The official A24 trailer establishes the film’s mood through direct conversations rather than explanatory narration. Holmes is questioned about responsibility, her current circumstances, and the possibility that the people around her do not know the whole truth. The result is an atmosphere of discomfort: everyone appears to be negotiating how much can safely be said.

Several trailer moments are especially useful for understanding the film’s structure:

The trailer also reveals that Holmes was the founder of Theranos, making the documentary’s subject clear even when the conversations move into personal territory. It does not present the story as a simple investigation. Instead, the footage emphasizes ambiguity and the emotional consequences of prolonged observation.

For viewers deciding whether the film is a good match, the trailer points toward several interests:

• Documentary portraits of controversial public figures.
• Stories about corporate scandal and public image.
• Films that examine filmmaker-subject relationships.
• Uncomfortable conversations about trust and self-presentation.
• Nonfiction projects with an intentionally unconventional structure.

The official trailer can be viewed through A24’s You Can See Everything trailer on YouTube. Since the supplied material includes one directly relevant trailer, it is the most useful video reference for identifying the project and its intended tone.

When a theater release becomes available, use a structured search process instead of relying on a general web search. The official listing provides the main tools needed to check local availability, including a ZIP code field, a calendar, format filters, and ticket alerts.

Do not use unrelated promotional offers on the listing as evidence that You Can See Everything tickets are available. The page may contain advertisements for other films, bundles, or theater promotions. Only a showtime specifically labeled for this documentary should be treated as relevant.

Until a confirmed local showtime appears, the best preparation is organizational rather than speculative. Keep the official listing bookmarked, verify the title before purchasing, and check whether your preferred theater has a documentary or limited-release section.

A limited theater engagement may require more planning than a wide commercial release. Consider checking several nearby ZIP codes, especially if your area has independent cinemas or venues that regularly screen documentaries. However, do not treat a nearby venue as confirmed until its showtime appears in an official theater result.

The film’s subject matter may also make it a better choice for viewers who prefer discussion-driven nonfiction over conventional entertainment. Expect a documentary built around interviews, proximity, and uncertainty rather than a scripted reenactment or action-focused narrative.